I think in Japan, my sense was a little more restricted by the expectation of “ceramics as traditional craft”. I felt the pressure of pursuing the perfect form...

I apply to ceramics the process I learnt from textile design with a research oriented approach on materials. First I work on textures, mix of materials (...)

That tactile gratification allows me to savour the hours and minutes rather than just counting them. Seeing my finger marks (sometimes intentionally, sometimes accidentally) means that a part...

Working with clay and fire is like creating stones while playing house. Mixing mud and glass to create forms that will last almost forever. It means working with...